An expert in Godzilla history and the VFX supervisor for today's monster resurrection talk about the sweaty, and surprisingly rigorous process of making Godzilla--then and now.
When director Gareth Edwards hosted a 3-D sneak peak of Godzilla earlier this month on the largest IMAX screen in America, the spectacle on screen represented a gargantuan step forward for the soft-spoken British filmmaker. Five years ago, Edwards was tooling around Mexico in a van with two crew members, operating his own camera and trying to convince villagers to appear as extras in his micro-budgeted sci-fi film Monsters.
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